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Clyde Beats: People - Roll Of The Beasy News

Clyde Beats: People – “Roll Of The Beast”

In this edition of Clyde Beats: People, we go behind the music with “Roll Of The Beast” — a protest anthem born from the injustice (still) unfolding across Iraq and Gaza. More than just a song, it’s a raw, emotional response to the atrocities witnessed in those regions.

But don’t let its serious message fool you — this track knocks. With gritty vocals, layered production, and some seriously funky remixes, “Roll Of The Beast” is both a call to action and a head-nodding musical experience.

From the Albums

  • Hyper Reality

  • Hyper Reality: Alternate Reality

  • Out now on Atjazz Record Company

Meet the People Behind the Sound

🎤 Clyde Beats – Multitalented producer and vocalist

🎚️ Martin “Atjazz” Iveson – Remix duties and label founder

🎛️ Christo – Remix duties

🎛️ Tim Scott – Remix duties


🎵 Listen Now:

👉 Roll Of The Beast on Bandcamp:
https://clydebeats.bandcamp.com/track/roll-of-the-beast

👉 Hyper Reality full album:
💿 Bandcamp: https://clydebeats.bandcamp.com/album/hyper-reality

👉 Alternate Reality Remixes & Singles:
💿 Bandcamp: https://clydebeats.bandcamp.com/album/hyper-reality-alternate-reality


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Don’t miss a beat — get exclusive news, drops, and behind-the-scenes content from Clyde Beats:

#clydebeats #Atjazz #HyperReality2 #IndependentMusic #AtjazzRecordCompany #hiphop #Neosoul #Gaza #palestine #iraq #middleeast #BrokenBeat #deephouse

How Serve It Up was created! News

Clyde Beats: People – Serve It Up feat. Capitol…

Clyde Beats: People – “Serve It Up feat. Capitol A”

Every track has a story. And in Clyde Beats: People, it’s the people behind the music who take centre stage.

In this episode, Clyde Beats explores the making of “Serve It Up feat. Capitol A” — a rich blend of broken beat, rap and soul, featuring the unmistakable vocals of Capitol A and Jane Hamilton. But the story runs deeper than the groove.

This track came to life thanks to a group of creative collaborators and moments that shaped its sound. From producers and vocalists to chance conversations, each person left a mark. And, as for the remixes, well…

  • Atjazz
  • Capitol A
  • Jane Hamilton
  • Magic Number
  • Tony Nwachukwu
  • Brooks

The video dives into how these names — and the energy they brought — helped turn a spark into a finished piece of music.

Watch the full episode on YouTube here!

Great music doesn’t just happen. It’s built on connection, collaboration, and community. Serve It Up is a tribute to that process — and to the people who make it possible.

This is more than a song.

Listen to Serve It Up feat Capitol A original mix here: Bandcamp

Hear the remixes and more, here: Bandcamp

It’s the world behind the music.

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News

Clyde Beats’ Arrest: When British Hip Hop Got Too…

In a spicy turn of events, British hip-hop producer Clyde Beats, known for his provocative, bass-heavy tracks, was recently arrested in Putian, China. His crime? Making music so un-syncopated, sensual, and ridiculously indulgent that it apparently violated local decency laws—or so the authorities claim.

On tour and crafting his newest EP, Clyde didn’t realise that his latest track, “Dumplingz” would cause such a stir. Featuring pulsating basslines, suggestive moans, and samples of wok-fried noodles, the track became infamous overnight. Locals reported the beats were so hot and heavy, it was “like being seduced by a plate of Mapo tofu.” Police were soon on the scene, responding to complaints that Clyde’s music was making people “uncomfortably aroused and weirdly hungry” all over town.

When officers entered Clyde Beats studio, they found him deep in the zone, layering steamy vocals over the rhythmic thumps of what sounded like chopsticks clinking against porcelain. One baffled officer reportedly said, “It’s like he’s trying to turn a dim sum restaurant into a nightclub.”

Taken into custody, Clyde Beats was charged with “over-stimulating the senses.” During the trial, even the judge seemed overwhelmed, saying, “This is a bit too much—one minute you’re craving hotpot, the next you’re thinking about… well, something else entirely. Cough, cough.”

Now released on police bail, Clyde Beats is enjoying his newfound fame. Want to hear the beats that got him in trouble? Check out his website at www.clydebeats.co.uk and listen to all his latest music, including Hyper Reality 2: An English Gentleman (out now on Atjazz Record Company) on Bandcamp: tinyurl.com/IamClydeBeats. But be warned: these tracks might make you sweat—and not just from the spice.

Listen to Clyde Beats

Listen to ‘Hyper Reality 2: An English Gentleman’ here,

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News

Wonky Beats and Spicy Streets: The Sonic Journey of…

Born and raised in the UK, Clyde Beats was never one for the ordinary. From a young age, he gravitated toward the unconventional, the bizarre, and the beautifully chaotic. His journey through music began with the broken rhythms of old vinyl records his father collected, a jumble of sounds that twisted and turned in ways that spoke to his soul. But it wasn’t until he found himself in the heart of Putian, China, that his music truly found its voice.

Putian was a world away from the grey skies of Derby. The city was a vibrant tapestry of life, a sensory overload that pulsed with the energy of a place caught between ancient traditions and rapid modernization. Clyde had come for a change of scenery, but he stayed for something far deeper—the food, the culture, and the strange, unexplainable connection he felt to the city.

Every morning, Clyde would begin his day with a meditation session, sitting cross-legged on the floor of his small apartment, the sounds of the bustling street below filtering through his window. He focused on his breathing, letting the chaotic world around him fall away until there was nothing but the rhythm of his heartbeat and the pulse of the city outside.

After meditating, he would venture out to the local markets, where the air was thick with the scent of spices and sizzling street food. Clyde had developed a taste for the fiery heat of Sichuan peppercorns and the tang of fermented tofu, dishes that made his mouth tingle and his head swim. He believed the intensity of the flavours sharpened his senses, opening his mind to new sounds and rhythms.

Back in his apartment, Clyde would sit at his makeshift studio—a cluttered corner of his living room filled with instruments, old vinyl records, and tangled cables. He would begin to create, pulling sounds from the depths of his mind, from the streets of Putian, and from the pounding in his chest after a particularly spicy meal. His beats were wonky, and off-kilter, a blend of traditional Chinese instruments and glitchy, distorted synths that seemed to defy logic.

There were moments when the intensity of it all became too much—when the burning in his stomach from too much spicy hotpot mixed with the overwhelming rush of creativity, and he would have to stop, his head spinning, his stomach churning. More than once, he found himself running to the bathroom, vomiting up the very essence of his process, a strange, almost ritualistic purge of everything that was holding him back.

But Clyde didn’t see it as a setback. To him, it was all part of the journey, a necessary release that allowed him to dig deeper, to push the boundaries of what his music could be. He would return to his instruments, hands shaking, head still buzzing, and begin again.

The music that emerged from these sessions was unlike anything anyone had heard before—raw, chaotic, and beautifully imperfect. It was as if Clyde Beats had channelled the very essence of Putian into his beats, capturing the city’s soul in every wonky rhythm and offbeat drop. His tracks quickly gained a following, first in the underground scene in China, and then internationally, as word spread of the eccentric British producer living in the heart of a Chinese city, creating sounds that defied categorisation.

Clyde Beats became a name known for its originality, its boldness, and its refusal to conform. And while his process might have been unorthodox—meditating until he was one with his instruments, consuming food so spicy it made him sick—it was undeniably effective. Clyde Beats had found his voice, and it was as wild, unpredictable, and beautifully wonky as the city that had inspired it.

A Putian Quirky NuSoul Playlist for the Weekend

A few ‘more leftfield’ tunes on this playlist.

Listen to Clyde Beats

Listen to ‘Hyper Reality 2: An English Gentleman’ here,

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News

The Unlikely Anthem: How Clyde Beats Created Snapped Featuring…

Clyde Beats, a name not unfamiliar to anyone who has an ear tuned to the pulse of Derby’s vibrant music scene, has done it again. This time, he’s taken us all by storm with his latest track, “Snapped,” featuring the lyrical prowess of Jakka Blades and the smooth vocal stylings of Manny Marko. But be warned: this is no ordinary song. The bassline is so heavy and infectious it’s causing a stir—and not always the good kind.

The Derby Connection

Hailing from Derby, UK, Clyde Beats is a prodigy of the local music scene, a town renowned for its eclectic mix of talent. Jakka Blades and Manny Marko, both also from Derby, have been long-time collaborators and friends, creating a trio that’s as dynamic as it is formidable. Clyde, however, now resides in Shenyang, China, a city that’s become a surprising source of inspiration and creativity for him.

The Birth of “Snapped”

The legend begins in Clyde’s makeshift studio, a sanctuary of sound crammed into the spare bedroom of his modest Shenyang apartment. One night, amid empty takeout containers of local Shenyang delicacies like hot pot and dumplings, Clyde Beats had a revelation. He wanted to create a track that wasn’t just heard but felt—something that would reverberate through the bones and resonate in the soul. He called up his old pals, Jakka Blades, known for his razor-sharp verses, and Manny Marko, whose voice could melt butter.

As they gathered around Clyde’s ancient laptop, inspiration struck. They laid down the groundwork, and then Clyde unleashed his secret weapon: the bass. Descriptions fail to capture the sheer power of this bassline. It was like the roar of a jet engine, the rumble of an earthquake, and the thump of a thousand heartbeats all rolled into one. The moment they hit play, everyone in the room felt it in their chest, a powerful thud that was both thrilling and slightly alarming.

The Bassline: A Blessing and a Curse

The track, aptly named “Snapped,” quickly gained traction. Clubs started playing it, and soon reports began trickling in. Bouncers had to deal with an unusual number of people literally losing their shoes on the dance floor, sent flying by the bass vibrations. Some listeners found themselves uncontrollably tapping their feet for hours afterwards, while others claimed their car windows rattled loose when playing the song at full volume.

Local hardware stores saw an uptick in sales of subwoofers, presumably bought by fans trying to recreate that heart-thumping experience at home. However, not everyone was a fan. Elderly residents in Derby complained about their porcelain collections mysteriously shattering, and one woman swore her cat had developed a nervous twitch after hearing the song.

Jakka Blades and Manny Marko’s Magic Touch

The track wouldn’t be what it is without the dynamic contributions of Jakka Blades and Manny Marko. Jakka’s verses cut through the bass like a hot knife through butter, adding a sharp edge that complements the depth of the beat. Meanwhile, Manny’s smooth, buttery vocals provide a perfect counterbalance, creating a sonic experience that’s as well-rounded as it is intense.

The Verdict

“Snapped” by Clyde Beats, featuring Jakka Blades and Manny Marko, is more than just a song; it’s a phenomenon. Whether you love it or fear for your eardrums, there’s no denying its impact. Just be sure to secure your valuables, warn your neighbours, and maybe invest in some earplugs—because once you hit play, there’s no stopping the seismic wave of sound that’s about to hit.

A Playlist of Tunes That Inspired the Snapped Sound

Listen to Snapped Featuring Jakka Blades and Manny Marko

Listen to Hyper Reality 2: An English Gentleman here!

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Clyde Beats Hyper Reality 2 Roll Call News

Clyde Beats – Hyper Reality 2 – Players and…

Hyper Reality 2: An English GentlemanA short blog listing all of the personnel who contributed towards Clyde Beats ‘Hyper Reality 2: An English Gentleman’.

When one considers the immense talents who committed to this project, there’s little wonder it’s an album I feel so proud of.

Here are the main players…

Atjazz

The man who inspired me to sing and who taught me how to layer my vocals in the first place. We share very similar musical values and have produced some great tracks together. An accomplished keyboard player, you’ll hear his Rhodes licks in places and his extensive studio engineering skills all across this album.

Peacey

Another long-time friend. We’ve shared the good times and the bad times and these can be heard in our two collaborative works on this album.

Jane Hamilton

This brilliant talent and overall quality person blessed my first album with some very memorable writing and performances. I’m elated to have her on my follow-up album. Her appearances on this LP are some of her best works, in my humble opinion.

Octavio N. Santos

What began as a radio drop for his show back in the day resulted in some stellar horn features across my album, as well as a song he wrote the rap for and spat on, too!

AMALIA

Having followed her Tokyo Dawn career and then experiencing her collaboration with Atjazz, having the opportunity to work with AMALIA was one I jumped at!

OVEOUS

Drawn to my attention through his work with Atjazz, OVEOUS is another artist I feel privileged to have worked with.

Magic Number

Although I’ve known him for many, many years, it wasn’t until COVID hit that we were joined together musically. Ross’ bass playing is ‘OK’, so I thought I’d help the chap out and have him on a track or two on “Hyper Realty 2: An English Gentleman”. He has yet to thank me.

Jakka Blades

Introduced through label mate and long-time friend, Si Tew, I was pleasantly surprised by what rap talent Derby had to offer. Jakka Blades came to a session with his twin brother and they both tore the mic up.

Manny Marko

Jakka’s twin, Manny brought a different energy to the studio and I’m glad to have met these very similar, yet different twin emcees.

DJ Hudson

The Derby energy and the force are strong in this one. Alex is a very familiar Derby face who DJs incredible sets around the city and beyond. When he agreed to perform the cuts on two of my album tunes, I was properly made up.

Jabba Tha Kut

Since we’re talking of ‘the force’ and we’ve spoken of Jakka and Manny, they connected me with Jabba Tha Kut. Jabba delivered two stunning turntable performances on the album.

Other Players

A shout out to Stuart from Subism for turning my album artwork concept into a polished end-product.

And last but not least, quite a few people were involved in the writing of this album who don’t feature directly on it. Those people were the ones who took me on journeys of life, love and all of them, learning. Thank you for the bad times and the good times. All of them made me ‘Better’.

And there we have it! These are the outstanding individuals who form the synergy of Clyde Beats ‘Hyper Reality 2: An English Gentleman’, available through Atjazz Record Company via all leading music sites here: https://orcd.co/arc247ad.

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Clyde Beats - Timestamps Marketing

Clyde Beats Top 10 Life Changing Moments Playlist

Greetings, fellow music aficionados!

Today, we embark on a melodious journey through the life of Clyde Beats, the Derby-born maestro now living it up in Shenyang, China.

Clyde Beats has curated a playlist of ten tracks, each penned during pivotal moments in his life, with a little help from his friends.

Let’s delve into the stories behind these tunes and the hilariously heartfelt experiences that inspired them…

1: ‘Serve It Up’

Picture this: Clyde Beats, fresh out of the Midlands, steps into a bustling club in Shenyang, China. Amidst the neon lights and thumping bass, he spots a girl who changes everything. Co-written with the legendary Capitol A, this track captures the electric moment when eyes meet across the dance floor and the night takes an unexpected turn. It’s all about the magic of serendipity and, of course, Clyde’s unparalleled ability to “Serve It Up” on the dance floor.

2: ‘So Much To Give’

They say if you love someone, let them go. Clyde Beats took this to heart after a whirlwind romance that ended in a tearful farewell. This soulful ballad is his ode to love and loss, a reminder that sometimes, the most loving thing you can do is to let go.

3: ‘Hold Me Back’

Rising from the ashes of a bad breakup, Clyde Beats found his inner phoenix. Co-written with Peacey, this song is an anthem of resilience and defiance, proving that nothing—and no one—can hold them back. Both Clyde Beats and Peacey shared similar heartbreaks, and this track became their rallying cry to all the heartbroken souls out there: get up, dust yourself off, and keep dancing.

4: ‘Roll of the Beast’

Taking a serious turn, this track addresses the ongoing persecution of certain Muslim communities in Gaza, Iraq, and Syria. It’s a powerful reminder that music can be a voice for the voiceless, shedding light on injustices that must be confronted.

5: ‘ILVURSND’

Ah, young love! Clyde Beats’ younger girlfriend, far (some say embarrassingly) younger than him, had a unique way of expressing her affection, particularly during intimate moments. This cheeky tune immortalises those sounds of passion, blending humour and romance in a way only Clyde Beats can. It’s a playful nod to an adventurous chapter in his adult life.

6: ‘Where Did I Go Wrong?’

Breakups are never easy, and this track dives deep into the sorrow and self-reflection that follows. It’s Clyde’s way of asking the age-old question, “Where did it all go wrong?” with a melody that tugs at the heartstrings.

7: ‘See Your True Self’

This sensual song invites listeners to look beyond the surface. Inspired by a particularly intimate moment, it’s all about vulnerability and seeing each other’s true selves, warts and all, during those special times.

8: ‘Too Blind 2 See’

Another breakup song highlights the moments of clarity that often come too late. Clyde’s raw emotion and introspection make this track a poignant reminder of love lost and lessons learned.

9: ‘Better’

Written during the aftermath of another relationship’s end (well, the same one as their previous collab with Peacey, actually. They humorously dubbed the initial draft of their track ‘Bitter’), this song is about emerging stronger and better. Co-written with Peacey, it’s Clyde’s personal mantra, a testament to the power of moving forward and self-improvement.

10: ‘Come Clean’

The final track addresses mental health, capturing the turmoil of a mental breakdown. Clyde’s honest lyrics and haunting melody shine a light on the importance of seeking help and the courage it takes to come clean about one’s struggles.

—–

And there you have it—a playlist that encapsulates Clyde Beats’ life, from the vibrant streets of Derby to the dynamic pulse of Shenyang. Each track is a chapter in his story, filled with love, loss, resilience, and a dash of cheeky humour.

So, grab your headphones, hit play HERE, and let Clyde Beats take you on a musical journey through his unforgettable experiences.

—–

Listen to ‘Hyper Reality 2: An English Gentleman‘ HERE

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News

Hyper Reality 2: An English Gentleman – The Eccentric…

Hyper Reality 2: An English GentlemanThis short story illustrates the journey Clye Beats took in order to arrive at the release of his second album: Hyper Reality 2: An English Gentleman.

It all started on a foggy Tuesday morning in Shenyang. Clyde Beats, the avant-garde musician known for his eccentric style and penchant for coffee, decided it was time to create his next album, “Hyper Reality 2: An English Gentleman.” As he stared into his cup of espresso, he knew it had to be an extraordinary blend of traditional English charm and his unique, futuristic sound. And so, with a coffee mug in one hand and a synthesizer in the other, the journey began.

Step one: Find inspiration. Originally hailing from Derby, Clyde Beats wandered through the bustling streets of Shenyang, donning a monocle and a top hat, because, of course, one must look the part when creating an album about English gentlemen. He found himself at a local museum, staring at a display of ancient Chinese artefacts. “This is it!” he exclaimed, startling an elderly lady examining a Ming vase. “The perfect blend of history and modernity!”

Returning to his studio, which was a quirky blend of Victorian elegance and sci-fi chic, Clyde set to work. His first track, “See Your True Self,” began with the sound of a coffee maker gurgling, followed by his signature Wonk Beat—an unquantised sound that made you want to waltz and breakdance simultaneously. “Absolutely smashing!” Clyde declared, sipping his now-cold coffee.

To get the authentic sound of an English gentleman’s day, Clyde decided to record in the most British locations he could think of. He sneaked into the British Consulate and recorded the echoes of diplomats debating. “Nothing says British like a good argument,” he mused. He also visited a clock tower in Shenyang that reminded him of Big Ben, capturing the chimes to use as the bassline for his track “ILVURSND.” This track, a heartfelt ode to his girlfriend living in the UK who was from overseas, captured the essence of their unique relationship. She referred to him as an English Gentleman in front of her friends, but he was anything but that with her.

As the album progressed, Clyde Beats experimented with more unusual sounds. He recorded the gentle rustling of pages from a Sherlock Holmes novel and mixed it with the roar of a futuristic hovercar engine. The track “DarkWorld” was born, a soulful blend of mystery and technology.

The pièce de résistance was the track “Gentleman’s Gambit,” featuring a guest appearance by none other than Sir Reginald Featherbottom, a local actor who specialized in playing pompous British aristocrats. Sir Reginald’s dramatic readings of etiquette rules, set to a funky beat, added a touch of class and humor.

After months of coffee, top hats, and near-arrests, “Hyper Reality 2: An English Gentleman” was complete. Clyde Beats knew he had created something truly unique, an album that was both a love letter to England and a futuristic masterpiece. As he poured himself a celebratory cup of coffee, he couldn’t help but chuckle. Creating an album was hard work, but being an English gentleman with a flair for the futuristic? Absolutely smashing!

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Hyper Reality 2: An English Gentleman News

The Sound and Gossip Behind Hyper Reality 2: An…

Hyper Reality 2: An English GentlemanWith Clyde Beats Hyper Reality 2: An English Gentleman about to drop, here’s a short playlist of tunes that helped to influence the sound behind the album. Plus, some of the superb feedback this album is already generating.

Here’s what heads are saying about Hyper Reality 2: An English Gentleman:

Welcome back with a méchant album! Merci Clyde & Atjazz fam!
Fred Everything

Very cool Nu Soul album
Laurent Garnier

Excellent release! So many vibrations and good feeling…deepness!
Samantha Bagg

Diggin the swingin’ crunkin’ beats !!
Groove Assassin

Running and rolling
Alex Barck

Download links are here: https://orcd.co/arc247ADpre 

And where better to start than with a playlist of the sounds that shaped the whole journey: Apple Music – 网页播放器|

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Clyde Beats - Hello World feat. OVEOUS News

How Clyde Beats Wrote Hello World featuring OVEOUS

Clyde Beats - Hello World feat. OVEOUSIn the quaint streets of Derby, UK, despite his British roots, Clyde Beats packed his bags and traded the rolling Derbyshire hills for the bustling streets of Shenyang, China, where he set up his ‘Laboratory of Beats‘. Some believe the Communist Party of China might have partially funded this.

One fateful night, amidst the neon glow of Shenyang city (Zhong Jie, so be precise), Clyde Beats found himself struck with a wild idea: to create the toughest, scariest hip-hop tune the world had ever heard, yet that it be as beautiful as it was nasty. And so, with a twinkle in his eye and a skip in his step, Clyde Beats got to work.

His secret weapon? The infamous jerk beat or wonk beat (call it what you will) – a rhythm so erratic, it could make even the most seasoned dancers break a sweat and in some cases, fit. With each thumping bassline and thunderous drumbeat, Clyde Beats unleashed a sonic storm unlike anything the world had ever experienced.

But what’s a terrifying tune without a touch of tranquillity? Enter OVEOUS, the enlightened rap guru whose flow was as peaceful as a Zen garden. With his silky smooth rhymes, OVEOUS added a layer of serenity to Clyde’s cacophony of chaos, creating a juxtaposition that left listeners scratching their heads in awe.

And now, dear reader, the moment you’ve all been waiting for. “Hello World featuring OVEOUS“: the spine-chilling collaboration between Clyde Beats and OVEOUS, is available for streaming and download on all major platforms courtesy of Atjazz Record Company. Get ‘Hello World featuring OVEOUS‘ HERE!

So, what are you waiting for? Dive into the madness and embrace the fear. But feel the love at the same time. Just don’t blame us if you find yourself sleeping with the lights on tonight!

Get ‘Hello World featuring OVEOUS‘ HERE

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Recent Posts

  • Clyde Beats: People – “Roll Of The Beast”
  • Clyde Beats: People – Serve It Up feat. Capitol A
  • Clyde Beats’ Arrest: When British Hip Hop Got Too Spicy for China
  • Wonky Beats and Spicy Streets: The Sonic Journey of Clyde Beats
  • The Unlikely Anthem: How Clyde Beats Created Snapped Featuring Jakka Blades and Manny Marko

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